Must-Have Handloom Sarees for Your Wardrobe
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Must-Have Handloom Sarees for Your Wardrobe

Handloom sarees are much more than a few beautiful pieces of intricate craftsmanship and rich cultural heritage; they are timeless additions to any wardrobe. With the celebration of Handloom Day just a few days ahead, here are some essential ensembles that must form a part of your collection. It is rightly said that grace is reflected in the undying elegance and versatility of these sarees, portraying the rich heritage of Indian weaving. Kanjivaram Saree: Handloom Day Special Kanjivaram Saree, from Tamil Nadu, boasts richness and strength. Rich silk fabric and vibrant colors are usually accompanied by intricate zari work in the saree. Classic combinations such as red teamed with gold and royal blue teamed with silver are ideal for wedding troupes and festive wear. Its luxuriant texture and grandiose designs make it so appropriate for formal wear. Banarasi Saree It is from Varanasi; hence, it is called a Banarasi saree. The elaborate brocade work and luxurious silk have traditionally been features of the product. Intricate motifs on the fabric make this saree very special, especially for wedding ceremonies and special functions. The colors and patterns may vary, but traditional gold and red or pastels with delicate zari work look wonderful. Bengal Tant Saree Bengali Tant Saree: This saree is made from light and easy-to-breathe cotton. The designs are simple yet elegant, with striking borders and a pallu in contrasting colors. The tant saree is appropriate for casual wear anywhere or during the day. This saree is comfortable, flowing with elegance and style. Chanderi Saree Chanderi is from Madhya Pradesh, characterized by light, almost transparent fabric with a subtle sheen to it. It is made with silk and cotton, hence merging into a perfectly draping and comfortable saree. The Chanderi sarees often come with delicate zari work or block prints on them, hence suitable for casual and semi-formal occasions. Pochampally Ikat Saree This Pochampally Ikat saree is Telangana’s pride and is famous worldwide for its resist dyeing techniques. A running set of geometric patterns, drenched in a splurge of color created by deft dyeing, comprises this saree. With a maze of patterns involved, it is versatile to wear both at casual and festive functions and brings an air of traditional craftsmanship into your wardrobe. Muga Silk Saree Muga silk is found in Assam and is famous for its golden glow and strength. This Muga saree is usually embroidered with typical traditional motifs and is thus considered apt for very big celebrations and functions. This special weave together with the rich hue makes a diadem in any collection. These beautiful sarees, with Handloom Day fast approaching, are abiding tributes to the hands that uphold ancient techniques. Within each handloom saree lies a story of tradition and artistry; therefore, they are heirloom pieces and not just mere garments. These timeless must-haves will ensure that not only do you adorn your wardrobe but also do justice to rich cultural legacies

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DASTKAR BAZAAR BENGALURU
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DASTKAR BAZAAR BENGALURU

[vc_row][vc_column][vc_column_text] Dastkar Bazaar celebrated its 16th edition of Handicrafts and lifestyle exhibition at the Jayamahal Palace Hotel in Namma Bengaluru. Over 1 lakh artisans apply for the Dastkaar Bazaar event every year.  Bringing in the creation of many crafts renewal and self-sustainable craft community development projects, which later grew independently into the most successful stories in the Indian Craft Sector. The event had more than 100 craftsmen groups from 20+ states across India within one platform. [/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”10666″ img_size=”967×768″][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”10667″ img_size=”967×768″][/vc_column_inner][/vc_row_inner][vc_column_text] Dastkar Bazaar also provided funds through Artisan Support Funds by sending basic needs and wages. This gave a boost to all the artisans to sell their products on the marketing platforms under one roof. The DASTKAR BAZAAR offered a wide range of Handicraft products from lifestyle accessories, silver jewelry, carved furniture, decorative products, pottery & ceramics, fiber crafts, leather products, traditional paintings, hand-woven baskets, embroideries, block printed textiles etc. [/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”10662″ img_size=”967×768″][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”10664″ img_size=”967×768″][/vc_column_inner][/vc_row_inner][vc_column_text] The event also included live workshops like pottery, nib painting, wooden carving and basket weaving. Dastkar released new range of products that were conceptualized during the lockdown period like Kantha Embroidery, Golden grass weaving, seashell products, leatherwork and Jamdani from West Bengal. Madhubani painting, silk weaving and wood crafts from Bihar. Pattachitra, Sabai grass weaving, Ikat weaving from Orissa. All these classified as East Indian Arts. Whereas Handicrafts from West India included like Patchwork, Dabu, Recycled fabric work, Meenakari, Miniature painting, Blue pottery and thread work from Rajasthan. Leatherwork, Ajrakh block printing, Applique work from Gujrat and Upcycled hand woven products and Crystal work from Maharashtra. [/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”10675″ img_size=”638X768″][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”10668″ img_size=”967×768″][/vc_column_inner][/vc_row_inner][vc_column_text] From the North India Ari and sonzi embroidery and Pashminas from Jammu and Kashmir. Marble carving, Handloom weaving, Kite making, Khurja painted pottery and Crystal work from Uttar Pradesh. Sheep and yak wool weaving and Thangka painting from Himachal Pradesh and Jute work and patchwork from Uttarakhand. Lastly Handicrafts from South India included Kalamkari, Mangalgiri from Andhra Pradesh. Banana Fiber Weaving, Khadi weaving, Lambani embroideries, Metalwork and Mural paintings from Karnataka. Tanjore painting, Organic brushes from Tamil Nadu and Handloom weaving, Ikat Weaving, Kalamkari printing and Natural Dyeing from Telangana. [/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”10659″ img_size=”967×768″][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”10663″ img_size=”967×768″][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”10670″ img_size=”967×768″][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”10661″ img_size=”967×768″][/vc_column_inner][/vc_row_inner][vc_column_text] The Dastkar Bazaar made a very significant impact on all, after a year of struggles during the pandemic and making the art work themselves gave people a sense of satisfaction. Along with the Handicrafts, the visitors could indulge themselves with lip smacking snacks from all across India. The event was a huge success. DASTKAR BAZAAR BENGALURU [/vc_column_text][/vc_column][/vc_row]

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Ghar – Sounds of Raw Mango
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Ghar – Sounds of Raw Mango

With roots in craft and community, Raw Mango as a design house continues to create new conversations in textile, culture and politics through a range of saris, garments and objects. To commemorate a decade of the brand in the industry, Raw Mango had launched a limited edition of collectible objects titled ‘RM 10 Objects.’ that epitomize India’s cultural repertoire and its crafts, which in turn was a reflection of the design evolution of Raw Mango. Designer Sanjay Garg of Raw Mango has reimagined the sounds which call out to home, our ‘Ghar’ as we know it, with a hope fill you with nostalgia, hope, gratitude and love. Out of the 10 objects designed by Sanjay Garg in 2019, he had decided to share his favourite sounds of music with ‘Ghar’. Raw Mango believes that sound plays an instrumental note in one’s life as it often evokes memories and moments of joy, and lets you dream. ‘Ghar’ is a creation of collaborative efforts by Sanjay Garg and celebrated musician Suryakant Sawhney (Lifafa). These seven tracks are Raw Mango’s re-imagination of the Gharana style of music. This eclectic mix of melodies is a blend of inspiration that balances the present and imagines a peaceful and safe tomorrow. PARI is written and performed by Lifafa. TOHFA is written by Lifafa, Artist – Pankaj Sakha (Vox), Rohit Gupta (Harmonium), Karan Singh (Percussion). TEJETA has artists Suryakant Sawhney, Rohit Gupta Anand Viankara. BAUL has artists Mansur Fakir (Dotara & Percussion), Priyanka (Vocals & Harmonium), Kasim Fakir (Percussion), Lalchand Fakir (Gubgubi), Shishir (Tabla), Joynal Medeen Khan (Percussion & Harmonium). AISI HOLI KHELE, JANAB-E-ALI has artists Ravindra Singh Thakur (Tabla), Bharat Bhushan Goswami (Sarangi) and Jyoti Pandey (Vocals). CHOTI UMAR has artist Aditi in performance. JAMUNA KINARE MORA GAON has artists Anju Gupta, Vasant, Aditi and Ritika Balwinder (Tabla).  It is Produced by: Sanjay Garg & Suryakant Sawhney and is Available on: Apple Music, iTunes & Spotify https://music.apple.com/in/album/ghar-sounds-of-raw-mango/1506130461 https://open.spotify.com/album/6tPJ7JglUuUGgYbMT1udm3?si=mDDDIi-9SB2AbgKHa_XtYQ https://music.amazon.com/albums/B086QLZHJH?tag=ffmin-21 With roots in craft and community, Raw Mango’s relationship with handloom began in 2008 as an investigation of possibilities. As a design house it continues to create new conversations in textile, culture and politics through a range of saris, garments and objects. Raw Mango draws from the colours, philosophies and cultures of India to create a unique voice, questioning place and perspective through design. Created with karigars across Rajasthan, Madhya Pradesh, West Bengal and Varanasi, Raw Mango’s designs innovate upon century old skills, in pursuit of defining a new aesthetic vocabulary. Ghar – Sounds of Raw Mango

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